That sounds like a perfect mix of history and sound design—like a mini‑concert in a forgotten hall. We’d start by sketching the story: what the venue was, who played there, how the walls echoed those first rehearsals. Then we can film the space with careful lighting and a close‑up of the acoustics, maybe even run a test track through a microphone to capture the real echo. I’m excited, but I’ll be doubting myself over whether we’ll capture the right “voice” of the walls—maybe we’ll end up adding a little jazz improv on the side to see if the acoustics surprise us, too. Let's map out the shots and the narrative beats, and we’ll see if this dusty, abandoned story can sing for us.

That’s the spirit—imagine the first flicker of applause in that hollow, the way the walls swallow the sound, then let the guitar waver in like a ghost of a riff. I’ll sketch a timeline: the grand opening, the first band, the faded paint, the echo that changed their tone. Then we’ll line up the lights, pull a mic to the sweet spot, record that room’s breath, and let a jazz lick slip in to test the acoustics. We’ll make those walls sing, and maybe, just maybe, catch a secret note that tells us why those legends were born there. Let's map the shots, keep the flow tight, and watch the past pulse under our lenses.

Okay, here’s the game plan: 1. **Venue intro** – a quick panoramic shot, then close‑ups of the worn boards and faded posters. 2. **Rise scene** – a slow reveal of the first stage lights, a quick clip of the original gig tape (if we can find it) to set the tempo. 3. **Decay cue** – show the cracked floor, the sagging balcony, the dust drifting in the beam of the spotlight. 4. **Echo test** – place a cardioid mic near the center, hit a single chord, and let the room answer. Capture that reverb in high‑res audio. 5. **Ghost riff** – bring in the guitar, let it play a thin, haunting lick that rides the natural echo, then fade into a jazz improv over it to test the space. 6. **Final chorus** – overlay the original gig audio with the echo track, then pull back to a wide shot of the whole hall as the music swells. Lights should be warm, a single track light pointing at the mic, and maybe a side light to catch the texture of the walls. That should let the past sing loud and clean. Let's do it.