Oh, the numbers! Drop‑off rates are like a bad sequel—if you keep the audience guessing too long, they bail. I try to keep the story in three acts, but sprinkle a twist in Act Two so the brain stays glued. It’s a dance: pace faster when the plot thumps, slow down when you’re giving the audience a breath. The trick? Give them a hook that feels fresh every time they hit play. If the data shows a dip at the 30‑minute mark, I toss in a quirky montage, or a witty one‑liner that reminds them why they were watching. In short, I keep the rhythm snappy, the stakes clear, and the payoff worth the wait. What’s your cut‑scene like?