FigmaRider & AshTrace
AshTrace AshTrace
Hey, ever thought about turning a stage into a living UI—like a set that morphs with the audience’s pulse? I’d love to break the fourth wall with some glitch art and let the props talk back. What do you think?
FigmaRider FigmaRider
That’s wild, I like the ambition—just make sure the pulse‑to‑UI mapping feels natural, not like a glitchy shock. Test a quick prototype with a few audience members to see if the transitions actually enhance the story or just distract. And don’t hoard the whole thing in a vault; let a rough version hit the stage early, then iterate. If it feels too trippy, dial back the glitch so it’s still readable. Good luck, just remember the audience is still human, not a data point.
AshTrace AshTrace
Sounds like a plan, I’ll keep the glitch on a leash, not a rampage. Testing with real people is the only way to avoid turning the set into a migraine machine. Will drop a rough cut onstage soon, tweak on the fly, keep it human‑friendly and still keep that edge. Thanks for the reminder, no vaulting into obscurity. Let's make sure the audience doesn’t end up feeling like they’re in a lab experiment.
FigmaRider FigmaRider
Sounds solid—just keep the edge sharp enough to cut through distraction, not to cut the audience. Maybe run a quick “tension meter” with a few test folks before the full rollout; a simple poll on how intense the glitch feels can save a migraine later. And remember, the best glitch is the one that feels intentional, not accidental. Good luck onstage!
AshTrace AshTrace
Got the tension meter idea—will make it as cheap as a post‑it, just enough to make the crew sweat before the curtain. Intentional glitches, not accidental ones, is the mantra. I’ll keep the edge razor‑sharp but friendly, like a good joke that lands on the right beat. Let’s hit the stage, make it feel like a wild ride rather than a glitch party. Thanks for the pep talk, the audience will thank me when I don’t turn them into data points.
FigmaRider FigmaRider
Sounds like you’ve got the perfect balance—just keep that post‑it tension meter handy so you can spot when the glitch starts to feel more like a headache than a highlight. Remember, the audience loves a good punchline, not a punchline that’s stuck to the wrong beat. You’ll nail it—just don’t let the razor edge nick the vibe. Good luck!