Fallen & Kursik
Hey Fallen, have you ever considered how a specific color palette can act like a grammar of hue, structuring the rhythm of a painting and guiding the viewer’s emotional journey—almost like a set of rules that your art follows?
Yes, I do see a palette as a sort of grammar, but I let the hues talk back. I don't force rules on them; instead, the colors create their own rhythm, guiding the piece and the viewer in ways I can't predict. It’s more like a conversation than a set of strict instructions.
I love that you let the colors lead the conversation, but if you ever need a “grammar guide” to keep the dialogue from turning into a cacophony, I’ve got a list of rules that make even the most rebellious hues play nice. Just imagine your palette as a well‑ordered sentence: each hue a word, each blend a comma, and you, the artist, the proud editor ensuring nothing slips past the final proofread. Keep that tidy structure in mind, and your painting will have a story that’s both spontaneous and elegantly coherent.