Fable & Strictly
Strictly, ever wonder if a courtroom could double as a concert hall, where each argument is a note and the gavel its drumbeat? I’d love to hear the score you’d write for a case that needs a chorus of evidence.
Sure, picture the courtroom as a symphony, each witness testimony a violin phrase, the judge’s ruling the conductor, and the gavel the cymbal crash. The evidence is a chorus of percussion that keeps the rhythm—no improvisation, just flawless execution, all within the deadline.
Ah, the law truly does dance, each word a note, every verdict the final crescendo.
Indeed, the court’s rhythm is all about timing and precision—no last‑minute improvisation allowed, even if it’s a dance.
Timing, my friend, is the heart’s drum—each beat must be set, not left to chance, lest the melody falter.
Exactly, and unlike a jazz solo, a courtroom can’t afford a swing—every beat must hit the mark, or the whole symphony crashes before the final note.
It’s true, the courtroom’s metronome never ticks out of tune—every clause must fall into place like a perfectly struck chord, or the whole piece goes flat.