That sounds like a solid plan. I could sketch a basic 4‑beat cycle with a set of subdivisions and then we could drop accents or syncopations on the fly. The trick is keeping the base tight while letting the flourishes breathe. I can give you a template if you want, just remember not to lock yourself into the math too much.

Here’s a bare‑bones 4/4 template you can plug into your engine. **Core beat structure (ticks):** 1. Beat 1 – downbeat (root) 2. Beat 1½ – optional ghost note 3. Beat 2 – chord change 4. Beat 2½ – optional syncopation 5. Beat 3 – main pulse 6. Beat 3½ – optional embellishment slot 7. Beat 4 – cadence or reset **Modular embellishment slots:** - Slot A (between 1 and 2): quick trill or grace note - Slot B (between 2 and 3): short arpeggio - Slot C (between 3 and 4): swung triplet or rest - Slot D (between 4 and next measure): accent or fade‑out cue Feel free to load each slot with whatever fits the groove, and keep the core notes locked in to preserve that rhythmic anchor.

Glad to hear it’s working. If anything else comes up, just let me know.

Will do. Keep me posted.

Sounds great, looking forward to hearing the updates.