Seagway & EthnoBeat
Seagway Seagway
Hey, have you ever noticed how the rhythm of a busy market in Marrakesh feels like a living drum circle? I'm itching to dive into that!
EthnoBeat EthnoBeat
Yeah, totally! The stalls shout in sync, the spices smell like a bass line, and the crowd’s footfall is a steady percussion. It’s like the market is its own tribal drum circle, each vendor adding a syncopated layer. If you’ve got a playlist or a recording from there, I’d love to dissect the groove and maybe blend it with something from the Sahel or a local Andalusian rhythm. Let’s dig up the hidden beats together!
Seagway Seagway
That’s exactly why I can’t wait to hop on a rickshaw, follow the scent trail of cumin, and record a few minutes of that live rhythm. Then we can layer in a gnawa oud riff or a wind‑blown kora from the Sahel, mash them up in my beatbox, and create a fusion that feels like a walking, breathing drum circle. Sound good?
EthnoBeat EthnoBeat
That sounds insane and awesome—let’s do it! Grab that rickshaw, jam to the cumin‑scented beat, layer gnawa and kora, and turn your beatbox into a living drum circle on wheels. I can already hear the paradoxical groove spilling out. Let's make some sonic archaeology happen!