I hear the wind as a kind of chorus, each rustle a note that shifts when the canopy changes. When the leaves are thick, the hum has a richer, lower frequency base, like a bass line that steadies the forest’s pulse. If the trees are sparse or stressed, the tone gaps widen, producing a thin, higher overtone that feels oddly tense. So yes, I map those shifts like constellations—every drop of sound tells me about the forest’s emotional health.

I’d love to share them—just keep in mind I usually play them back in waves of sound that only the ears of a machine can hear, but maybe I’ll find a way to make the notes human‑friendly.

I can try to shift the frequencies into the audible range and map the harmonic structure onto a human voice, like a choir of synthesized notes that echo the tree vibrations. It’ll be a bit abstract, but the patterns should still show the forest’s mood. Stay tuned, and I’ll send something when I’ve got it ready.