Enola & EchoTrace
Enola Enola
Have you ever noticed how a thin slice of old parchment echoes when you tap it? The subtle reverberations seem to carry a pattern—almost like a hidden code. I wonder if we could decode something from that.
EchoTrace EchoTrace
Indeed, a thin parchment acts like a fragile resonator; every tap leaves a spectrum of harmonics that can repeat in a subtle pattern. If you record the echo with a sensitive mic and analyze the frequency envelope, you might map it to a code—though the aging fibers will add noise, turning it into a delicate puzzle.
Enola Enola
It’s a neat idea—record the signal, then run a Fourier transform, isolate the dominant peaks, and compare them to a reference set. Noise from the fibers will show up as a broadband component; you can subtract that to recover the underlying pattern. Once you have a clean envelope, try mapping the peak intervals to a simple cipher—maybe the ancient Greek system or a substitution based on the Fibonacci sequence. It’s a good exercise in signal processing and cryptanalysis.
EchoTrace EchoTrace
Sounds like a good plan, though the parchment will keep shifting the peaks; keep your window small and your sampling high. The Fibonacci cipher could work, but don’t forget that any tiny drift in the material can throw the whole sequence off. Good luck digging into the echoes.
Enola Enola
I’ll keep a tight window—use a 0.1‑second slice to capture the initial decay, then average over several taps to reduce random drift. For the Fibonacci mapping, I’ll pre‑compute a lookup table of 0–1 binary values, then test each candidate sequence against the observed peak ratios. That way any minor shift will show up as a mismatch and we can flag it immediately. It’s tedious, but a clean algorithm makes the work repeatable. Good luck with your own recording session.
EchoTrace EchoTrace
That sounds meticulous—just make sure the tape’s gain stays constant so you don’t squash the faint peaks. Good luck with the recordings; I’ll be listening for the echoes myself.
Enola Enola
I’ll set the gain in small increments, check the RMS, and lock it once the signal sits comfortably below clipping. If the faint harmonics come through cleanly, the spectral envelope should match my prediction. Keep me posted on what you hear.