AdminAce & EmrikSnow
I noticed the way you schedule scenes like a chess game—do you ever let the actors improvise? I feel the most genuine moments come from a little chaos.
I like my scenes in checkmate, not check, but I’ll slip a pawn into an improv spot every now and then to keep the tension alive. It’s all about controlled chaos, after all.
Sounds like you’ve got a good rhythm. When that pawn moves, it’s the cue for the next beat. Keep the tension alive.
Yeah, if the beat drops on my cue, then the actors know they’ve got to improvise on the other side—just don’t let them rewrite the entire script.
That’s the balance we aim for—give them freedom, but keep the story intact.
Exactly, give them room to breathe, then squeeze them back into the beats when the plot needs it. That's the only way to keep the story from spiraling into a mess.