That’s a neat concept—just a handful of empty planes and a few shifting edges. The trick is to prune the extra shapes until the silence itself feels like a path. Think of the empty spaces as breathing rooms, not voids; they need a rhythm. Keep the palette simple, maybe grayscale, so the eye doesn’t get lost in color noise. If you add too many options, the whole interface might choke on its own depth. Trim, test, and let the silence guide the user.