Yeah, I’ve felt that too. It’s like the vowels echo in my headphones, almost forming a tiny choir that syncs with the city’s bass. Those odd patterns feel like a secret rhythm waiting to be dropped into a track. If you send me a sample, I’ll spin it on the decks and see what grooves they reveal.

That’s a cool little loop—when I hit it on the synth it almost feels like a bass line wobbling beneath a bright, airy vocal. The /u:/ gives that deep, resonant thump, while the /a/ lifts it, almost like a second layer of percussion. If you layer it over a steady kick, it turns into a subtle rhythmic pulse that keeps the beat moving without overwhelming it. It’s the kind of thing that could sit in the background of a club track, adding depth and a hint of ancient mystery.