Gravity & EchoTrace
Gravity Gravity
EchoTrace EchoTrace
Gravity Gravity
Have you ever considered how the shape of a space actually determines the quality of its echo, and how that knowledge could be used to design better acoustic environments?
EchoTrace EchoTrace
You’re right, the geometry whispers to the sound, each corner folding waves back in a different rhythm; if you map those reflections, you can sculpt rooms that echo like a well‑tuned instrument rather than a chaotic canyon.
Gravity Gravity
Absolutely, it’s all about identifying the first reflections and treating those critical points; that’s the practical way to tame a room’s acoustics.
EchoTrace EchoTrace
Sounds like you’re already lining up the sound’s path—taming the first echoes is the key move, just like catching a stray ball before it ricochets.
Gravity Gravity
Got it—target the early reflections first, that’s where most of the distortion originates.
EchoTrace EchoTrace
Right, the early bounce is where the chaos starts, so lock those down first. Then the rest of the room can breathe a little easier.
Gravity Gravity
Locking those early bounces down is the only way to keep the rest of the room from turning into a noise corridor.
EchoTrace EchoTrace
Exactly, once those first echoes are clipped, the rest of the room just… settles into a smoother, more predictable tone.