Yeah, silence isn’t empty, it’s a space you can sculpt. Start with a clean low‑end pad, just a few low‑frequency oscillations, let it sit in the mix for a few bars. Then pull the track down to -∞ dB, just leave the envelope there. The listeners will feel the breath of that space. If you want the “void” to feel, add a subtle room ambience—like a long reverb tail that never actually hits the source. Keep the mix balanced, no auto‑tune or flashy effects, just a clean, slow fade‑in of that pad and a slow fade‑out of the reverb. Let the silence be the frame of the story, not the content. That way the track feels like a chapter of emptiness, and the audience can sense it through the vibration and the absence of noise.