Duskryn & JulenStone
JulenStone JulenStone
I've been thinking about filming a scene in an abandoned subway tunnel, using the concrete and rust as a raw stage—would love to hear your take on finding the right spot.
Duskryn Duskryn
Sounds like a good plan – just remember the tunnel’s bones will tell you what it’s hiding. Look for a spot where the concrete cracks in a pattern that catches light, not a wall that will echo every footstep. Make sure the line of sight is clear, so you can frame the rawness without the tunnel swallowing the camera. And keep a spare pair of lenses on hand – the rust will shift the light in odd ways. If you stay on the edge of the abandoned sections, you’ll avoid the most recent safety checks and keep the atmosphere authentic. Keep an eye on the vent lines – they’re usually the easiest way to get in without tripping alarms. Good luck, and watch for the subtle shifts in the air.
JulenStone JulenStone
Sounds solid, just remember to keep the light as honest as the concrete and have a spare lens ready for when the rust decides to play tricks. And if you find a vent that looks like a breathing machine, take a deep breath before you dive in.
Duskryn Duskryn
A vent can double as a natural spotlight, but it’s also a pressure test. Keep a small torch and a breathing mask handy, just in case the tunnel’s own sigh catches you off guard.
JulenStone JulenStone
Right, the vent’s got that dramatic, low‑key spotlight vibe, but don’t let it turn into a pressure cooker. Torch and mask in hand is a good rule of thumb—better to over‑prepare than let the tunnel give you a surprise sigh.