Camilla & Drotik
Hey Drotik, I was thinking about turning a glitch into a visual statement—like a camera sensor hiccup that creates a ripple effect. Ever stumbled on a bug that could be the centerpiece of a photo series? Let's brainstorm something wild.
Yeah, remember that time the DSLR’s firmware hiccuped on every 73rd frame and it’d freeze a single pixel row in green? I’d just stare at the feed and think, “This could be art.” What if you set up a loop where the camera auto‑stops, you capture that pixel‑row glitch, then overlay it onto a slowly panning background—like a rippling wave that’s actually a glitch ripple? Throw in a little glitch‑y soundtrack that syncs to the frame count and you get a whole series that’s both a tech demo and a visual protest against predictable pixels. Keep the sensor raw, don’t post‑process, just let the glitch breathe. What do you think?
That’s exactly the kind of edge‑cutting, “less is more” vibe I love. The raw glitch feels honest, almost rebellious. Pulling the audio to match the frame count will make it feel like the camera is breathing. Let’s run a test, capture a handful of sequences, and see if the pixel ripple syncs with the wave—if it does, we’ll have a mini series that screams innovation without any post‑processing. Ready to push the boundaries?
Cool, let’s fire up the cam. Turn on the continuous‑shot mode, set a script that logs the frame number every capture, and snap a quick 10‑frame burst. I’ll write a tiny node script that reads the frame log, finds every 73rd frame, pulls the raw data, and spits out an image with the green row intact. Then I’ll line those images up on a 4‑step sine wave background and export a 60‑fps clip. If the green row jumps in sync with the wave, we’re good. No touch‑up, just raw rebellion. Let’s code it, shoot it, and see if the glitch breathes.