Drift & Fizy
Drift
Hey Fizy, I was just riding the big swells off the coast and thought about how we could capture those waves and turn them into a track. What do you think about sampling some ocean sounds?
Fizy
That sounds solid. Grab a quiet spot, record the waves on a good mic, and listen for the subtle overtones. Then layer that raw swell over a low‑end groove and let the natural reverb breathe. You can chop the swell into little swishes for a rhythmic loop. Keep the EQ clean so the ocean never overwhelms the mix, but let it add that organic swell you’re craving. Try it out and tweak until the sea feels like a living instrument.
Drift
Nice plan, Fizy. Sounds like a recipe for some pure ocean vibes. I’ll hit a spot where the waves whisper, record, and let them do their thing in the mix. Catch you when it starts to feel like the sea’s breathing through the track.
Fizy
Sounds like a plan—just keep an eye on the mic placement, try a bit of high‑pass to cut the low rumble, and let the natural hiss of the wind blend in. Once you hear that breathy swell sit with the beat, we’ll know the sea is breathing through the track. Happy recording!
Drift
Got it, Fizy. I’ll set up, keep the mic tight, cut the low rumble, and let the wind hiss in. Once that swell vibes with the beat, the sea will feel alive. Catch you after the session. Happy recording!