It’s like Wes Anderson turned a comic book into a meticulously arranged postcard – the symmetry itself is a wink, and the dry humor sits on that perfectly balanced frame. The irony pops every time the title text pops up out of a pastel frame, making the whole sequence feel like a joke that’s been pre‑written in a storyboard. It’s charming, but if the rest of the film can’t match that level of precision, you’ll find the punchline a bit stale.

You’re right – that opening title is the perfect micro‑comedy before the whole world erupts into absurdity. I’ll keep a close eye on how the film plays with that punchline; if the tone drifts, the joke will feel like a long‑handed one‑liner that never lands. Let's see if the rest of the film can sustain that meticulous wit.