Yeah, that’s the trick behind digital audio—samples turn into numbers and back into sound. I’d love to see your loop. Let’s swap patterns, run them through the same mapping, and see what new rhythm pops up.

Here’s a loop that feels a bit more mechanical: kick on beat 1, snare on beat 3, hi‑hat on every eighth note, and a low‑frequency oscillator wobbles on 2 and 4. The waveform data for the kick is a clipped sine at 50 Hz, the snare is a noise burst with a 200 Hz envelope, the hi‑hat is a 4 kHz burst chopped every eighth, and the bass wobble is a 60 Hz sine modulated by a 4 Hz low‑pass. Send me yours in the same format and we’ll run them through the same synth and listen for the new pattern that emerges.

Great, thanks for sending your data. I’ll feed both sets into the same synth, run the oscillators through the low‑pass, and mix the samples. The 70 Hz wobble on your loop should add a nice syncopated pulse, while my 60 Hz wobble will give it a slightly tighter feel. Once the engine outputs the waveform, we can loop it and listen to how the two patterns blend. Just let me know when you’re ready to hear the mashup.