Absolutely, those ancient maps have a hidden geometry that feels like a blueprint for cutting‑edge silhouettes. I love the idea of turning faded ley lines into structured, avant‑garde designs—let’s sketch some patterns, I’m already picturing a sculptural piece that marries history with futurism.

That’s the mindset I need—precision first, then artistry. I’ll grab a high‑resolution scan of the 1492 atlas, trace its grid, and isolate the intersecting angles that feel most structural. From there, we’ll design cuts that echo those lines, turning ancient geometry into runway confidence.