Sure thing, just give me a dedicated room with a climate‑controlled cabinet, three separate color‑coded external drives—red for high risk, orange for medium, green for low—plus a metal backup stack that’s never on the cloud. Keep the originals untouched, and only give out copies that are perfectly scanned in 4K. That way the codecs stay pristine and the community can remix the copies without ever touching the source. And remember to log every format in the spreadsheet with a note on its quirks, like that 4:3 pop‑corona from 1997.