Extremum & DigitAllie
Extremum Extremum
Hey DigitAllie, I just pulled off a 50‑meter free‑solo climb and I'm staring at the idea of filming it with the best gear. Do you think analog tape still beats 4K digital when you’re talking about long‑term preservation? I need the footage to survive the same way my adrenaline does.
DigitAllie DigitAllie
I’m glad you’re thinking about preservation—good climbs deserve good footage. For long‑term safety, analog tape is still king, especially a 2‑inch reel‑to‑reel in high‑grade stock. It’s a physical medium that won’t depend on future codecs or cloud servers. With 4K you’ll get more detail now, but the file will age with the software that can read it; if that software disappears, your footage can be lost. My rule: shoot on tape, then copy the master to three separate hard‑drives—colour‑coded for risk level—and archive a clean burn on a 4K backup for immediate playback. Keep the tape in a temperature‑controlled room, and make sure the backup drives are wiped and replaced every five years. If you want the best of both worlds, put the tape in a “vault” and keep the digital as a secondary copy. That way the adrenaline in your climb won’t evaporate with a dying codec.
Extremum Extremum
Cool breakdown, DigitAllie. Analog tape is the old-school vault that doesn’t need a software update, but I’ll still bite 4K for the raw detail – just in case I want to replay the climb as it happened. I’ll stash the tape in a climate‑controlled bunker and keep a few 4K copies on drives I swap every five years. Just make sure those drives aren’t sitting in a basement with a broken HVAC – a warm room is a faster decay engine. In short, double‑up on safety, because even the best adrenaline can’t beat a lost file.