That sounds like a sweet idea—like turning the forest into a living soundtrack. Start by isolating the gentle hiss of the leaves. Run a tape recorder or a good microphone through the synth and grab a few seconds of pure rustle. Then open a waveform editor, you’ll see a soft, low‑frequency envelope that rises and falls like a breath. Try smoothing it with a gentle low‑pass filter to keep the high‑shelf hiss from sounding too harsh, and map that curve to a sine or a low‑frequency oscillator. The key is to let the waveform wiggle just enough to mimic the way light flickers through branches. Once you lock that, layer a subtle reverb so it feels like you’re standing in the woods, and the static will finally sound like a wind choir. Let me know how it turns out, and we can tweak the timbre together.

Sounds like a plan—just don’t forget to keep the leaves alive, even if it’s just in the mix. I’ll be on the lookout for the first crackle, ready to tweak if the forest needs a little more breath. Good luck, and let me know if the vending machine starts singing!