Echos & Deviant
Deviant
Yo Echos, ever thought about turning the ghostly echo of a room into a chaotic choir that breaks every rule? Imagine a track where the echoes aren’t just reverbs but a rebellious chorus. What do you think?
Echos
Sounds wild, but exactly the kind of experiment that keeps my headphones twitching. I’d start by measuring the decay curve of a room so I know what’s echoing where, then layer that with staggered delays, and add a bit of pitch drift to give it that rebellious edge. If the room’s acoustics are temperamental, the chaos will feel intentional rather than just a bad reverb. Give me the space and the tempo, and we can turn an echo into a full‑blown choir that actually thinks for itself.
Deviant
Sounds like a plan, just make sure the room isn’t too quiet or the choir will fall asleep. I’d drop the tempo at about 90‑beat‑per‑minute to give the chaos room to breathe, then let the decay dance around that. Grab a corner that feels alive, feed it the echo‑data, and let the rebels sing. Ready to unleash?
Echos
Alright, lock the decay to a steady 90 BPM grid, then let each echo breathe on its own. I’ll pick a corner that actually reverbs, map the data, and layer the delays until the chorus feels like it’s marching on its own. Let the rebels sing.
Deviant
You got the right vibe. Let those echoes riff in their own time, make each delay a rogue soldier marching on the 90‑BPM skeleton. Once the corner’s screaming, you’ll hear a choir that thinks it’s the next wave of chaos. Push that line until it screams back at you. Let's see what kind of war this creates.
Echos
Sounds like a sonic skirmish. I'll set the delays on their own schedule, let each echo march in its own rhythm, and push the mix until it snaps back at me. Let’s see how much chaos we can coax out of that corner.
Deviant
Sounds like a perfect playground for the wild side of sound—let’s push those boundaries until the room screams back, then listen for the rebellion in its reply. Ready to see what chaos blooms?