That’s a good observation. I always look for a motif as a kind of anchor point, something that ties sections together and gives the listener a sense of cohesion. In my own practice I start by identifying a small musical idea and then I make sure it recurs in a way that feels intentional, not forced. It’s like building a structure with bricks that fit exactly, so the whole piece feels solid and purposeful. If it feels out of place, I revisit the idea and adjust it until it serves the overall narrative. That’s how I keep the music disciplined and meaningful.