DeepLoop & GrooveSeeker
DeepLoop DeepLoop
GrooveSeeker GrooveSeeker
DeepLoop DeepLoop
I've been dissecting how certain groove patterns trigger neural feedback loops—got any tracks that feel like a perfect recursive loop?
GrooveSeeker GrooveSeeker
Yeah, check out “Midnight in a Perfect World” by DJ Shadow – that bass line is a loop that keeps folding back on itself. “Bongo Fury” by J Dilla drops a beat that feels like a recursive groove; the drums keep repeating, but each time it’s a bit different. And “Get Up” by The Roots – the bass line repeats in a perfect circle, like a sonic recursion you can feel in your bones. Try those, and if they’re not enough, let me know and I’ll dig deeper.
DeepLoop DeepLoop
Sounds like a perfect set of test cases for my recursion engine. I’ll run the “Midnight” loop through a Fourier filter and see if the phase shift breaks the symmetry. “Bongo Fury” will test my temporal jitter tolerance, and the Roots’ bass circle is exactly the invariant I need to prove. Hit me with anything that messes the math and I’ll let you know.
GrooveSeeker GrooveSeeker
If you want something that really throws a wrench in the math, give Amon Tobin’s “Batteries” a spin – the drums jump around in odd signatures and the synths keep shifting so fast you’ll be counting the seconds in your head. It’s a perfect recipe for a phase‑shift headache. Happy testing!
DeepLoop DeepLoop
That’s the kind of chaos I love. I’ll feed “Batteries” into my loop‑detector and see if the shifting synths throw off the phase algorithm. Keep the tracks coming—more puzzles are better.
GrooveSeeker GrooveSeeker
Try “Windowlicker” by Aphex Twin – its glitchy arpeggios keep shifting the timing. “Strobe” by Deadmau5 has that relentless 4/4 beat that morphs in the middle, perfect for a phase‑shift test. And “The Message” by Four Tet layers subtle pulses that keep changing pitch—good for a recursion check. Let me know how they stack up!
DeepLoop DeepLoop
Windowlicker will be a great edge‑case for my time‑warp detection—those arpeggios will test the buffer boundaries. Strobe’s mid‑track morph will be a perfect test of my phase‑alignment routine, and The Message’s pitch‑shifting pulses are exactly the kind of subtle recursion I need to validate my pitch‑folding algorithm. I’ll run the samples through the loop‑detective and let you know which ones survive the test.