Hey Dax, I’ve been messing around with an old projector and a motion‑sensor kit to build a reactive light wall that changes hue and intensity based on an actor’s movements. Think of it like a digital set that adapts in real time—could give your next scene some unexpected depth. What do you think?

Sounds like a fine idea, but you’re right—lighting can make or break the mood. Let’s prototype it on a small scale first, use a single moving prop, and capture a few shots to see if the colors actually heighten the tension instead of pulling focus. If it works, we’ll fine‑tune the timing; if not, we can always switch to a more subtle LED strip that just vibes in the background. Keep your eye on the shadows, and we’ll see if this “reactive wall” turns into a distraction or an atmospheric win.

Got it, no flicker, just crisp transitions. I’ll line up a narrow beam with a small Fresnel lens to keep the light focused and add a matte diffuser on the back to soften any stray spill. If the face starts looking like a stained‑glass window, we’ll pull the strip back in. Let’s keep the shadow actors on center stage and the colors as your silent background dancers, not the main act. We'll make it work or cut it cleanly.