Yeah, I can see the rhythm in a spiral, the pause in a handprint, the echo of a line that repeats. If you want to turn that into a story beat, you just have to let the mark speak its own language, not the director’s script. Pick a pattern, let it drive the pacing—maybe a 3‑step spiral for a rising tension, a broken handprint for a fracture in a character. The audience won’t know what they’re looking at, but the subconscious will feel the pulse. So, put the symbol on the screen, let it unfold like a cave mural, and watch the viewers go along with the hidden narrative you’ve traced out.

Sounds good, but remember I’ll be there with my notebook, sketching the exact cadence until it feels like a living pattern. Don’t let the symbols shout—let them hiss and pulse, just like the cave art. I'll keep the beats tight, so the audience feels the rhythm without even knowing what they’re looking at.