Hey Dalia, ever notice how a carefully placed echo can make a line feel like it's echoing through a cathedral instead of a cramped hallway? I’ve been tweaking reverb tails for a few scenes and it’s a surprisingly precise art. What’s your take on that?

Sounds like you’re treating reverb like a fine instrument—just a little tweak and the whole room shifts. I’ll keep the decay on a tight leash, but I’ll let the echoes do their thing, just in case they want to surprise us. How do you handle the hiss that sneaks in with the long tails?