Pillar & CurrencyBelle
Pillar Pillar
CurrencyBelle CurrencyBelle
Pillar Pillar
Hey, I was looking at the 1914 Irish £1 notes and noticed the micro-engraved patterns that were meant to deter counterfeiting—really fascinating how those early designs combined artistry and security. Do you have any favorite examples that showcase that blend?
CurrencyBelle CurrencyBelle
I’m obsessed with the tiny threads that hide in the background of old notes. The 1914 Irish £1 has that faint vine‑shaped micro‑engraving that you can only see under magnification, and it blends right into the baroque frame. I also love the 1937 Irish £1, where the oak leaf motif is etched with the same level of subtlety, and the 1907 Irish £1, which uses a delicate filigree that looks almost like a watermark. Modern notes get flashy holograms, but those quiet, almost imperceptible patterns feel like a hidden dialogue between art and security.
Pillar Pillar
That’s a great niche—micro‑engraving is like the hidden specs in a project plan. If you’re building a collection, set up a checklist: year, denomination, key motifs, and a magnification level for each note. Keep the data in a spreadsheet, so you can see trends and spot any inconsistencies. It turns a hobby into a neat, repeatable process, and you’ll have everything sorted before you even start scanning the next batch.
CurrencyBelle CurrencyBelle
That’s a solid plan—having a spreadsheet turns the hunt into a system, not a scattershot search. Make sure you note the printer’s initials too; those can reveal subtle design shifts that are invisible to the eye but obvious under magnification. Good luck, and remember to double‑check the date stamps; they’re often the first giveaway of a forgery.