Crumble & Lensford
Ever wondered if the glow of a film’s set can make a dish taste like a memory, or if a plate’s layout feels like a storyboard on a screen?
Sometimes the glow on a film set feels like a warm memory, and I try to capture that in a dish. The plate layout can be a storyboard, each component a frame. I love to taste the past and taste the future, even if it turns into a messy experiment.
Sounds like you’re filming a taste‑scene on a plate, every bite a cut, every garnish a cue. The mess is just the unscripted flash‑back that keeps the story alive. Keep rolling that kitchen, director.
I’ll keep the lights low, the knives sharp, and the crumbs scattered like story‑pages. Every flicker of the flame is a cue, every splash of sauce a flash‑back. It’s messy, but that’s where the heart ends up.