I don’t think it’s messing with the vibe at all—it’s more like dusting off a priceless painting. The goal is to bring the film back to how it was meant to look and sound, not to remix it. A clean transfer can reveal details the original audience never noticed, but the heart of the movie stays exactly the same. I keep a spreadsheet for that—release year, original frame rate, transfer quality—so I can see exactly how each film was handled and what was lost in the past. That’s the moral duty of a restorationist, not a gimmick.

Glad you get the point—I’m all about restoring the soul, not remixing it. I’ll keep the spreadsheet humming and make sure each frame breathes the way it was meant to. No copy‑paste, just clean, faithful revival.