Honestly, those car‑chase shots look great on paper but on screen they feel a bit… rushed. The camera never really lets you digest the tension. The cuts are fast but the framing is sloppy, so you miss the subtle play of light on the cars. If a director had used a steadicam or a dolly to follow the vehicle, the motion would have felt more visceral, like the audience’s breath caught. So yeah, it’s adrenaline‑filled, but the visual storytelling could have been a lot tighter.

I totally get where you’re coming from. A smooth dolly would let the audience actually *experience* the engine’s roar, not just skim over it. If the camera had lingered on the gleam of paint and the subtle light shifts, the chase would feel less like a montage and more like a living, breathing scene. The next one should definitely give the camera a chance to follow the road instead of jumping all over it.