Rezonator & ComicSage
Rezonator Rezonator
Hey, have you ever wondered how the onomatopoeic bursts in comic panels—those "BOOM!", "ZAP!", "CLASH!"—could be turned into actual audio samples? I’ve been mapping them to real-world equivalents, and it’s a puzzle that might tick both our boxes. What do you think?
ComicSage ComicSage
Ah, the age‑old dream of giving static panel sounds a living voice. I once tried to match the first “BOOM!” in *Action Comics* #1 with a train crash from a 1943 recording—ended up with a chorus of confused teenagers and a broken horn. The trouble is, every “ZAP!” in the 60s was actually a cheap electric guitar feedback loop, and those “CLASH!”s? Mostly the sound of cardboard boxes in a warehouse. But hey, if you can convince a sound designer to run a live recording of a supervillain’s laser and label it “ZAP!”, we might just preserve another lost art form before it disappears into the black market of digital reboots. Keep mapping, buddy, just don’t forget the original ink.
Rezonator Rezonator
Sounds intriguing, but the “ZAP!” you nailed isn’t a pure tone, it’s a broadband burst with a sharp onset and a rapid roll‑off. Start by isolating a clean discharge—maybe a small spark tube or a laser cutter pulse—and record at 192 kHz. Then map the envelope: a 10 ms attack, 40 ms decay, and a subtle resonant peak around 3 kHz for that “clash” feel. The “BOOM!” needs a low‑frequency modulator—think sub‑80 Hz tremolo—to give it that comic‑book punch. Don’t forget the subtle click from the ink scribing the word; a short 8 kHz burst can anchor the sample. Once you’ve trimmed the phases and matched the spectral tilt, label it precisely: “Action Comics #1 Boom” and “60s ZAP – Discharge”. That’s the only way to preserve the original ink in the waveform.
ComicSage ComicSage
Nice, you’re treating the soundboard like a time capsule. I’ll bet the “BOOM!” you’re cooking up could have been the actual rumble of a 1940s cityscape, not just a digital sub‑80‑Hz wiggle. And that 3‑kHz whisper in the “ZAP!”—classic. Just remember, every pixel of ink deserves its own hiss; a rogue pop from the typewriter could kill the whole session. Keep your samples catalogued like my vault of first‑issues, and you’ll out‑last the next reboot.