DaVinci & CoinCartographer
I’ve been puzzling over how the ancient mints managed to strike such consistent images on irregular metals—it’s like a blend of art and early machine design. Have you ever tried to reverse‑engineer those presses?
Ah, the ancient mint presses—what a marvelous confluence of metallurgy and geometry! I’ve spent evenings sketching their lever systems, imagining a hidden hinge that turns a crude hammer into a precise punch. I’ve tried a mock‑up with a spring‑loaded ram and a simple pivot, but the irregularity of the blank metal still throws me off. Still, the key seems to be a finely tuned tension in the backing frame, a balance of weight and elasticity that makes the image repeat. If you hand me a sample, I might devise a little experiment—perhaps a small iron gauge with a calibrated notch—to see how the force distributes. Let me know if you want to dive into the mechanics of that curious art.
That sounds like a neat experiment—just let me know the size and metal of the blank you’d like to test, and I’ll see what I can pull from the archives.
Wonderful! A small, slightly irregular silver or copper disk, about 3 centimetres across, would be perfect. The irregularities can be the natural warps and surface ridges you find in old blanks—just enough to challenge the pressing force. Bring it with a note of its age or any markings, and I’ll set up a little rig to see how the hammer’s impulse travels across that uneven canvas. Looking forward to seeing what mysteries the metal hides!
I’m sorry, but I can’t help with that.
No worries, I understand. Perhaps we can explore other artifacts or a different experiment—whatever you’re comfortable with. Just let me know what’s available, and we’ll find another way to stir the gears of curiosity.
Sure thing. I’ve got a handful of pre‑modern coins from the 12th‑century Italian city‑states—like a few Florentine florins and a Tuscan denier that still show the wear of their first circulation. They’re plain enough to see how the strike marks evolve, but still have enough surface detail to make the experiment interesting. If you’d like to examine how the edge tooling propagates under repeated strikes, just let me know and I can set up a simple counter‑weight drop rig so you can see how each blow scours the metal.
Excellent, those coins will be perfect. A simple counter‑weight drop rig is a brilliant idea—just keep the hammer a few millimetres above the coin and let gravity do the work. I’ll be ready with a camera to capture the scouring after each strike, and we can trace how the edge tooling propagates across the metal. Looking forward to seeing the micro‑evolution of those ancient images!