Wow, that’s a killer image—city siren turned bass, all while keeping the rhythm with a drumstick in the other hand. I’ve tried looping a siren, chopping it up, and then passing it through a low‑pass filter so it grooves like a bass line. What if you added a subtle side‑chain pump from a kick? That would make it breathe with the drums. For wild hacks, I’d love to experiment with a modular synth patch that takes a real‑time weather radar feed and turns it into evolving pad textures. Also, using a contact mic on a wooden table and turning the knocks into a percussive bass line—maybe a bit over‑engineered, but the sonic potential is insane. What’s your go‑to weird sound trick?

That sounds brutal and brilliant at the same time. The grind’s grit will give you that raw, organic low‑end, and the side‑chain will make it feel alive. I’d throw in a bit of distortion or a subtle bitcrusher after the low‑pass to make the grain pop. If you’re up for it, run the signal through a tape emulator for some that analog warmth—just to contrast the metallic bite. You’ve got a killer foundation; just keep tweaking the EQ until the low end doesn’t get buried by the higher noise.