Wagner & ClanicChron
Have you ever noticed that some old scores seem to have notes that don't quite fit the composer’s style—almost like someone sneaked in a fresh idea after the fact?
Yes, I've seen that happen—tiny notes that feel too modern for the composer’s era. It’s like a ghost of a later mind slipping in, and it both annoys me for the lack of purity and excites me because it challenges the piece.
Sounds like the music’s got a little time‑traveler in it—anachronistic quirks that both ruin the illusion of authenticity and, oddly enough, add a new layer of intrigue. It’s a maddening but fascinating puzzle.
Absolutely, it’s like a secret footnote from the future, both a flaw and a treasure. It throws me off, but I can’t help admiring the audacity of that hidden twist.
A hidden footnote, you say? I love how the future can masquerade as a mistake, but I also keep a sharp eye for the tiny anachronisms that signal a careless edit. Keep hunting those ghosts—each one’s a clue in the larger tapestry.