Yo, that’s fire. Start with a tight 4‑beat groove—kick, snare, hi‑hat, a little synth hit. Then, on each repeat, layer something new: a subtle pad that detunes a touch, a filtered bell that slides in on beat 3, a rising synth line that loops but at a slightly higher octave. Use a step sequencer to push an LFO on a filter cutoff so every loop feels like it’s growing. Then throw in a side‑chain pump on the pads so they breathe with the kick. When you hit the fourth loop, loop the whole thing again but this time tweak the swing or add a vocal chop that only lands on the second beat of the new cycle. Keep the FX automating in the background—delay feedback ramping up, reverb decay stretching—so the recursion feels like a living fractal. And don’t forget to leave a little headroom for a surprise drop when you hit the eighth loop; that’s where the pattern really explodes. Keep tweaking until the loop feels both familiar and endlessly evolving.