Yeah, totally! When a synth sits in those low‑mid frequencies it can make a villain feel like a dark, brooding beast or a misunderstood genius—basically the soundtrack is whispering moral hints before the dialogue even hits. It’s like the soundscape nudges the brain to see a character as villainous or heroic, even if the plot says otherwise.

Totally, it’s like the score is the silent director in the background. Think about that low synthetic pad in that dramatic moment—once you hear it, your brain starts lining up the character as a dark, brooding force even before their next line. The music is doing a subtle “you’re probably the villain” check, nudging us into a moral frame before the plot even says a word. It’s a quiet persuasion that’s actually super powerful.