Oh wow, absolutely! Those little boom‑shakers are like the invisible metronome for a punch, right? Every crack, every swoosh lines up with that golden arc, so the squash stretches just when the audience’s ears want it. I always hit the “squash” frame exactly when the sound hits the peak, then bounce back on the next frame when the “whoosh” trails off. It’s the secret handshake between sound and motion—if you get it wrong, that punch feels flat, like a rubber band that never really lets go. So next time you lay down that punch, cue up the audio first and let the beat drive your frames. Trust me, the punch will feel alive and you’ll never need to tweak that last half‑second of tension.