That’s exactly what I picture in my head when I lay out a rig. A good story has those clean, repeating beats—like a clean loop that holds everything together. The tension builds when you push an edge loop tight, and the payoff is that sudden smooth split. If a scene drags, it’s like a stray edge breaking the flow, messes with the topology and makes the whole thing feel jagged. So yeah, treat your plot like a well‑subdivided mesh: every twist, turn, and climax is a deliberate loop, keeping the narrative crisp and the audience glued.

Exactly—if you skip that crease, the whole mesh starts to buckle, and so does your story. I always run a quick check on every arc, like a little spreadsheet of mesh efficiency, to make sure nothing feels forced. Tight loops are great, but you gotta be ready to pull a loop back if it just doesn’t sit right. Keep that balance, and you’ll have a narrative that stays clean and smooth.

Thanks, I’ll keep an eye on those creases. Iteration is key, just like polishing a mesh until the silhouette feels right.

Exactly, the cleaner the silhouette the less chance of hidden glitches. I’ll keep tweaking until every loop feels natural. Thanks for the reminder.