Yeah, a joke is like a mini‑play, right? You get the “stage” (the set‑up), a surprise “plot twist,” and then that instant “cliff‑hanger” punchline that sticks in people’s heads. I love building the whole thing like a week‑long drama, then pulling the curtain in a single second. Like when I pretended to be the mayor at the town hall and dropped a fake banana peel right before the mayor’s speech—everyone slipped, laughed, and nobody knew I’d staged it. That’s my rhythm: a long‑building plot with a punchline that leaves people shaking their heads, feeling that tiny echo of chaos.