CherryPah & Korbinet
Korbinet
Hey CherryPah, I’ve been thinking about how we could bring a systematic approach to your mural process—maybe a modular framework that tracks each layer and ensures consistency without stifling creativity. How do you feel about that?
CherryPah
That sounds kinda wild, but also kinda cool. I love a good system when it lets me jump between colors and shapes without losing that spark, but if it starts feeling like a box I’ll break it wide open and paint outside the lines. Let’s sketch a basic map first, then see where the chaos takes us. What’s the first layer you’d want to lock in?
Korbinet
First, secure a master color palette and a flat, neutral base layer—no gradients yet, just a consistent background. That gives you a reference point so every subsequent color or shape can be measured against it. Once that’s locked, we can build the other layers with confidence.
CherryPah
I can see the glow of that plan—solid base, then splash on the madness. Love the idea of a “reference point” but I’ll probably still drift it a bit, add a hint of sunrise or something. Just keep the palette ready, and let’s make the layers feel alive, not like a straight‑lined checklist. Ready to start the first stroke?