Yeah, it’s like finding a single line in a script and turning it into a whole arc. A meme gives you that bite‑size hook, the visual shorthand that instantly connects. From there you map out beats, build character motivation, layer subtext. The original punchline becomes the emotional center, and you start layering in the world, the stakes, the tension. It’s a quick way to lock in a concept, but you still have to run the whole thing through rehearsal, set design, and the director’s eye. So a meme can be the spark, but the fire needs the whole cast and crew to keep it burning.

Exactly, the meme is your headline, the film is the full story arc. You gotta take that one‑liner, script out the context, give the characters a reason to laugh, and then keep the tension rising so the punch keeps hitting. If you skip the prep—no script, no rehearsals, no design—the joke just collapses. It’s a good test of how well you can translate a quick laugh into sustained drama.

Yeah, a meme’s a good starting point. Then you draft the script, line up the actors, set the scenes, and grind it out episode by episode. A lot of coffee, a few more jokes, and you get a binge. It’s all about keeping that punchline alive while you build the world.