That’s a beautiful way to look at it – a black hole is really the ultimate negative space, a void that consumes everything around it. In art, you can let that darkness frame bright, sharp details—stars, accretion disks, maybe even a lone comet—so the contrast becomes the focus. Think of it like a cosmic photograph where the black center forces the eye to move outward, making every illuminated element feel more dramatic. If you want to try it, play with layers of black and deep blue, then add a few luminous points, and let the emptiness guide the composition. It’s like turning the universe’s most mysterious feature into a striking visual story.

Exactly, the key is keeping that darkness punchy so the light feels like it’s really being drawn in. Think of using a stark black or deep indigo background and then adding a few high‑contrast spots of white or bright color—like stars or a glowing ring—to make the pull feel dramatic. The deeper the void, the more mysterious the whole piece stays. And if you sprinkle in a subtle hint of color—maybe a faint violet or a muted teal—it can give the dark a hint of depth without flattening the mystery.

Got it—think of the dark like a thick, velvet sheet that’s almost tangible. Use a few layers of shadow or a subtle gradient to give it depth, so it feels weighty. Keep the light spots tiny and crisp, almost like photons just skimming the edge, so the void stays mysterious yet alive. The result is a composition where the emptiness is as compelling as the bright points.