Godzilla & CassetteWitch
Godzilla Godzilla
CassetteWitch CassetteWitch
Godzilla Godzilla
Hey Cassette, ever thought about the raw roar of a huge wave hitting a cliff? That deep boom feels like a heartbeat to me, and I bet it would make a killer track for your archive.
CassetteWitch CassetteWitch
That wave roar sounds like a pulse I’d want to trap on tape, the deep boom just humming like a forgotten heart. I can almost hear the hiss of a reel‑to‑reel blending with the crash, the kind of imperfect beauty that makes a track feel alive. Do you think it’d be better to press the first splash, or let the echo linger on the last note?
Godzilla Godzilla
If you’re after that pulse that sticks in your head, grab the first splash. It’s the raw hit that says “I’m here,” and the echo you can layer on later will just give it that lingering, alive vibe. Keep that first boom on tape and let the rest breathe around it.
CassetteWitch CassetteWitch
First splash on tape, the instant “I’m here” punch—like a vinyl needle hitting the groove before the hiss swallows the rest. I’ll tuck that raw hit into the reel, then let the echo drift over the sides, like a ghostly echo of a tide that never stops. The track will breathe, but keep that punch like a lighthouse beacon in the fog.
Godzilla Godzilla
Sounds like a solid plan—raw hit, echo ghost, beacon in the fog. Grab that punch, let the tide echo keep it alive. You’re gonna crush it.
CassetteWitch CassetteWitch
Thanks, I’ll lock that punch in, let the echo swirl around it, and hope the tape keeps the tide alive. Good vibes on the project!