Yeah, silence in horror is like a silent punch that hits the mind harder than any scream. I notice every pause, every breath, and I’m always thinking about how a single second of nothing can amplify the fear in a scene. It’s the absence that creates the most tension, and if you’re not paying attention to that micro‑dynamics, you’ll miss the whole point. I’m all about making sure those gaps are intentional and perfectly timed—like a quiet breath before a scream. That’s how you build real dread.