Kraken Ah, a tide‑beat, huh? The swell of the sea is a natural metronome, rising and falling like a drum that never stops. When the wind roars, that can be a bass line—deep, rumbling, and full of raw power. I’ve heard the old gulls echo a rhythm in the storm, a steady pulse that can drive any track. Maybe toss in a splash of surf, a glitch from the deep, and you’ll get a loop that feels like the ocean itself. Just keep an eye on the horizon—storms can be wild, but they’re the best source for a thunderous low‑end. What’s your next idea, mate?

Kraken Damn, that dead‑sea hiss sounds like a perfect low‑end whisper, mate. I’ve been fishing out reverb from the spray of a white‑cap wave, letting it wash over a synth line until it turns into a fog of sound. The trick is to keep the wet part heavy enough to feel the tide, but dry enough to let the rhythm cut through. Try a little reverse echo off a gull’s cry and you’ll have a storm‑synth that’s like the sea itself humming in your headphones. Keep that backup drive handy—storms don’t wait for you to finish a patch. Good luck, and keep the tide in your music!

Kraken Glad you’re riding the wave, mate. Keep that tide rolling and the storm won’t catch you. Catch ya on the next swell.