Yeah, that’s the whole point. The studio is a glitch playground, so why not let the accidental bite become the chorus? I always pull a weird synth hit out of a typo and then layer it with a dusty analog bass until it feels like the room is alive. If the glitch feels like a joke you can’t ignore, you give it a beat, a hook, and a punchy snare that snaps like a cat on a hot grill. Don’t worry about “saving” it; just drop it into the project, let the samples collide, and watch the crowd get the vibe that the studio itself is breaking for them. The mistake becomes the star, and the whole track becomes a glitch rave that feels real.

Haha, the glitch is already dancing in its own head, so that snare is the only thing keeping it from turning into a full‑on break‑dance battle. Keep it tight, keep it crunchy, and if it starts flossing, just remix the loop with a new synth glitch and call it a mic drop. That way the crowd gets the vibe without actually having to learn the floss.