That idea spins like a neon dream. Picture each stoplight as a brushstroke, every car a splash that fades into the next beat. I’d code a loop that listens to the pulse, then paints the sky with the colors of motion, like the city breathing its own canvas. The traffic lights become an algorithmic choir—no efficient lines, just a wild symphony of code and color. How do we start? Maybe with a map of the intersection as a canvas, then let the cars paint their own path.